#Canon objektiv auf nikon kamera manual#
#Canon objektiv auf nikon kamera iso#
#Canon objektiv auf nikon kamera plus#

In-camera corrections for lateral chromatic aberrations, peripheral illumination and distortion are available in most current and recent Canon DSLRs. Build quality is excellent throughout but the lens isnвЂ™t weather-sealed. The relatively complex and high-tech optical path includes two aspherical elements, one FLD (Fluorite-grade Low Dispersion) element, and four SLD (Special Low Dispersion) elements.

#Canon objektiv auf nikon kamera manual#

While the focus distance scale can be a bonus for manual focusing or setting the hyperfocal distance, depth of field markers are only applied for f/16, which makes zone focusing impractical. For manual focusing, the reasonably generous rotational travel of the focus ring enables fine and precise adjustments. Typical of SigmaвЂ™s Art prime lenses, it features a fast and whisper-quiet ring-type ultrasonic autofocus system, with the usual availability of manual override. Overall, itвЂ™s a terrific lens for street photography with full-frame Canon DSLRs.ДЄt 77x94mm and tipping the scales at 665g, this Sigma is smaller and lighter than the competing Samyang 35mm f/1.4 AS UMC AE manual-focus lens, although itвЂ™s still about twice that weight of Canon's EF and EF 35mm lenses. Lateral chromatic aberrations are very well controlled, even in the extreme corners of the frame. ThereвЂ™s marginally more barrel distortion than from the competing Sigma and Tamron 35mm lenses, but not enough to cause any concern. ThereвЂ™s very little to choose between the fabulous centre-sharpness of this lens and CanonвЂ™s new RF 35mm, although the latter wins out for sharpness away from the central region of the frame. Even so, the focus ring operates with smooth precision and enables fine adjustments. The manual focus ring is relatively wide, although the rudimentary depth of field markers are inadequate for zone focusing. You also get a well-rounded diaphragm with eight blades for smooth bokeh.

#Canon objektiv auf nikon kamera plus#

Inside is one aspherical element, Super Spectra coatings, ring-type ultrasonic autofocus, a distance scale with f/11 and f/22 depth of field markings, plus a 4-stop image stabilizer. The macro facility is mostly superfluous for street photography but can nevertheless come in handy.ДЇor full-frame Canon DSLRs, this 35mm f/2 IS USM is an ideal size at just 78ењ†3mm, and it's light at 335g. The small amounts of lateral chromatic aberration and barrel distortion can be fully corrected in-camera, and the hybrid image stabilizer lives up to its 5-stop billing.

The lens is super-sharp across the whole image frame and the vignetting thatвЂ™s slightly noticeable at f/1.8 mostly disappears when narrowing the aperture to f/2.

#Canon objektiv auf nikon kamera iso#

Typical of RF lenses, an extra bonus is the customisable вЂcontrol ringвЂ™ for adjustment of parameters like aperture, shutter speed, ISO and exposure compensation. Both autofocus and manual focusing work wonderfully well when using these camerasвЂ™ electronic viewfinders or vari-angle rear screens.ДЇurther highlights include a very short minimum focus distance that enables 0.5x macro magnification and a class-leading 5-stop hybrid image stabilizer thatвЂ™s great for both regular and close-up shooting. However, a distance scale, focus peaking and focus guide options are all available in the shooting displays of CanonвЂ™s R and RP bodies.

Its stepping motor autofocus system means thereвЂ™s no focus distance scale or depth of field markings, which are often preferred for вЂzone focusingвЂ™ in street photography. This 35mm prime for EOS R and RP cameras is conveniently compact. If you're using full-frame then a 35mm lens is the ideal choice for APS-C cameras, a lens of 24mm or so will give you an equivalent field of view. For decades, this has been accepted as the best lens for street photography and photojournalism, and this is one piece of received wisdom we're not going to argue with. What's the answer? Generally, it's a 35mm prime lens. You want it at about 35mm, or close to, as this gives you a reasonably naturalistic perspective while still allowing you to fit plenty in the frame. You want it to be wide, but not too wide, for the best street perspective. Two: it should sit within a relatively slim range of focal lengths. Also, since you're going to be carrying it around all day, your street lens should be nice and lightweight, since even with an extensively padded camera strap (opens in new tab), if you carry a heavy lens around for more than a few hours, you'll feel it. It should be unobtrusive, and avoid attracting attention the way a big zoom lens will.

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